Slick oil: Richard Wilson’s 20:50 at the Saatchi Gallery. A walkway invites visitors directly through the tank, so that they are surrounded by the reflective plane of oil. It’s an amazing spectacle.
Playbook for Business Designers
Slick oil: Richard Wilson’s 20:50 at the Saatchi Gallery. A walkway invites visitors directly through the tank, so that they are surrounded by the reflective plane of oil. It’s an amazing spectacle.
Cookie | Duration | Description |
---|---|---|
__cfduid | 1 month | The cookie is used by cdn services like CloudFlare to identify individual clients behind a shared IP address and apply security settings on a per-client basis. It does not correspond to any user ID in the web application and does not store any personally identifiable information. |
cookielawinfo-checkbox-advertisement | 1 year | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Advertisement". |
cookielawinfo-checkbox-analytics | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics". |
cookielawinfo-checkbox-functional | 11 months | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". |
cookielawinfo-checkbox-necessary | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". |
cookielawinfo-checkbox-others | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. |
cookielawinfo-checkbox-performance | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance". |
datadome | 1 year | This is a security cookie used for detecting BOTS and malicious traffic. |
viewed_cookie_policy | 11 months | The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data. |
Cookie | Duration | Description |
---|---|---|
_ga | 2 years | This cookie is installed by Google Analytics. The cookie is used to calculate visitor, session, campaign data and keep track of site usage for the site's analytics report. The cookies store information anonymously and assign a randomly generated number to identify unique visitors. |
_gat_gtag_UA_25941750_1 | 1 minute | This cookie is set by Google and is used to distinguish users. |
_gid | 1 day | This cookie is installed by Google Analytics. The cookie is used to store information of how visitors use a website and helps in creating an analytics report of how the website is doing. The data collected including the number visitors, the source where they have come from, and the pages visted in an anonymous form. |
vuid | 2 years | This domain of this cookie is owned by Vimeo. This cookie is used by vimeo to collect tracking information. It sets a unique ID to embed videos to the website. |
Cookie | Duration | Description |
---|---|---|
CONSENT | 16 years 6 months 2 days 4 hours | No description |
SESSION_ID | No description | |
yt-remote-connected-devices | never | No description available. |
yt-remote-device-id | never | No description available. |
You may have seen artist Richard Wilson’s oleaginous installation before. Created over 20 years ago, this spectacular waist-high reservoir of recycled sump oil, one of Britart’s most iconic installations, was bought by collector Charles Saatchi and has been exhibited at his various galleries in London – first at Boundary Road in St John’s Wood, then at County Hall beside the Thames.
its an amazing piece. I can still remember my first experience of this walking into the St Johns Wood gallery. Incredible.